百日紅の下にて
Almost all of the dialogue and narration is extracted from the original story, and there are no particular deviations from the original storyline, but the images tend to be devoid of reality. For example, the scene in the ruins of the mansion where Saeki and Kindaichi talk to each other is somewhat fantastical, and Kindaichi's appearance is also unrealistic. In addition, Saeki and Yumi's sex life is represented by the 'dancing futon'. The behaviour of those attending the first anniversary of the death of Saeki and Yumi is unnaturally exaggerated.
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📋 Film Details
| Year | 2016 |
| Country | Japan |
| Director | Shuhei Shibue |
| Runtime | 30 min. |
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🎬 MovieFinder's Take
百日紅の下にて is an acquired taste at 0.0/10. We recommend checking the trailer and synopsis before diving in.
Not every film is made for everyone. Read the synopsis, watch the trailer — you'll know right away if it's for you.
Released in 2016, this film holds up just as well today. Best for: genre fans and those open to something unconventional.
— MovieFinder Editorial
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