Visa de censure n° X

Clementi constructs the film as a sensory assault, relying on the symbiotic force of primal imagery and the psychedelic prog rock of Delired Cameleon Family. He explores altered states of consciousness, where the human form and saturated color become the primary vehicles for a descent into the subconscious.

What lingers after the final frame is the visceral memory of a hypnotic, chaotic flow that is felt more than decoded. This is a defiant cinematic gesture that dissolves the line between film, performance, and visual poetry. — MovieFinder Editorial