On Screen
Analog video was not only an alternative to more expensive motion picture film for artists. It was also a viable new medium with specific attributes all its own. In On Screen, characteristics such as video snow and audio static become more pronounced and distorted with each subsequent version of the artist within the “TV” frame. As Lynda Benglis performs a sequence of pulling faces for the camera in triplicate, we become aware that the performance is based on memory, sometimes faulty—a kind of symbiotic conflation of artist and machine.
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📋 Film Details
| Year | 1972 |
| Country | United States of America |
| Genre | Documentary |
| Director | Lynda Benglis |
| Runtime | 8 min. |
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🎬 MovieFinder's Take
On Screen is an acquired taste at 0.0/10. We recommend checking the trailer and synopsis before diving in.
Not every film is made for everyone. Read the synopsis, watch the trailer — you'll know right away if it's for you.
A classic from 1972. They don't make them like this anymore — which is exactly why you should watch it. Best for: genre fans and those open to something unconventional.
— MovieFinder Editorial
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