Coda
A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.
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📋 Film Details
| Year | 1970 |
| Country | Italy |
| Director | Massimo Bacigalupo |
| Runtime | 15 min. |
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🎬 MovieFinder's Take
Coda is an acquired taste at 0.0/10. We recommend checking the trailer and synopsis before diving in.
Not every film is made for everyone. Read the synopsis, watch the trailer — you'll know right away if it's for you.
A classic from 1970. They don't make them like this anymore — which is exactly why you should watch it. Best for: genre fans and those open to something unconventional.
— MovieFinder Editorial
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