Benetton
Lampert writes, "Chelsea thieves market, Sunday morning. Overloaded front table, sunglasses, cell phones, Viagra (sold by the pill, $10), assorted hot goods. Inaccessible back table, more of same, two 35mm film cans marked BENETTON. 'Excuse me, what's in those cans?' 'Twenty dollars.' 'Is there film in the cans?' 'Twenty dollars.' 'No, I want to know what is in the cans.' 'Twenty dollars.' Twenty dollars later, four giant 16mm reels, 2 hours of color double-perforated reversal footage, three female models. An entire mid-90s ad campaign shoot obviously orphaned or cast away footage now, curiously, in my hands. BENETTON is the first installment in the ongoing imperfect series produced from an all too perfect source."
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📋 Film Details
| Year | 2004 |
| Country | United States of America |
| Director | Andrew Lampert |
| Runtime | 4 min. |
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🎬 MovieFinder's Take
Benetton is an acquired taste at 0.0/10. We recommend checking the trailer and synopsis before diving in.
Not every film is made for everyone. Read the synopsis, watch the trailer — you'll know right away if it's for you.
A 2004 film from an era before CGI overload, with real performances that still hit hard. Best for: genre fans and those open to something unconventional.
— MovieFinder Editorial
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