The Woman in White
The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.
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📋 Film Details
| Year | 1917 |
| Country | United States of America |
| Genre | Drama |
| Director | Ernest C. Warde |
| Runtime | 68 min. |
| Rating | TMDB: 5.5/10 (2 votes) |
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🎬 MovieFinder's Take
The film constructs its narrative by contrasting two female destinies and relying on superimposition to visually merge them. It explores the theme of duality through a lens of reflective melancholy, where the mirror serves as a portal to the past.
What lingers after viewing is a haunting sense of quiet suspense, as if a ghostly presence remains within the frame. The clever editing for its time creates a poignant, layered experience. — MovieFinder Editorial
Director: Ernest C. Warde
Best Watched
By dim lamplight, in solitude, to fully absorb each mirrored scene and its melancholy mood.
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