Don't Tidy or Clean My Room, I Like It as It Is

Carlos opens the door to his room — a space where books, papers, and old photographs have accumulated for decades. The 2026 documentary transforms this chaos into a philosophical exploration of memory, attachment, and the right to disorder. The director observes Carlos's daily life, his rituals among mountains of belongings, his conversations with neighbors long accustomed to his peculiarity. The camera captures not merely a collection of objects, but a map of a lived life, where every worn cover or newspaper clipping holds a story. The film questions the boundaries of personal space and what society deems normal, inviting viewers to reflect on their own relationships with possessions and the past.