Georges Didi-Huberman – douze images pour le meilleur et pour le pire
Entering Georges Didi-Huberman’s home is already entering his work: the libraries and their classification, the organized reproductions, and especially the table on which the historian places a few images chosen for us, seeking their relationship of affinity, conflict, dialectical tension. 45 minutes pass where a world is constructed at the same time as a gaze is organized before our eyes, inside the frame. Not only the world of art, the world of images, but the world in general.
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📋 Film Details
| Year | 2014 |
| Genre | Documentary |
| Director | Pascale Bouhénic |
| Runtime | 45 min. |
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🎬 MovieFinder's Take
Georges Didi-Huberman – douze images pour le meilleur et pour le pire is an acquired taste at 0.0/10. We recommend checking the trailer and synopsis before diving in.
Not every film is made for everyone. Read the synopsis, watch the trailer — you'll know right away if it's for you.
A 2014 film from an era before CGI overload, with real performances that still hit hard. Best for: genre fans and those open to something unconventional.
— MovieFinder Editorial
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