Home

Anna, a Berlin-based architect, returns to her remote Norwegian village after a decade away. She is met not only by the fjord's biting wind but by Markus—her ex-boyfriend who never left, having turned his family's farm into an eco-lodge. "Did you think the world ended outside Oslo?" he asks as they repair an old barn. Their conversations are less about words and more about the silence between them, heavy with the unspoken. The film explores the clash of urban ambition with roots, the concept of 'home' as both a place and a feeling. The Scandinavian landscape is framed not as a backdrop but as a full character, altering the rhythm of the protagonists' lives. The plot sidesteps saccharine clichés, offering instead dry wit and a slow, organic reconnection.