Dog Star Man: Part III
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
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📋 Film Details
| Year | 1964 |
| Country | United States of America |
| Genre | Drama |
| Director | Stan Brakhage |
| Runtime | 11 min. |
| Rating | TMDB: 6.0/10 (42 votes) |
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🎬 MovieFinder's Take
Brakhage constructs the film as an anatomical atlas of eros, where biological processes and the filmstrip's materiality hold equal weight. He relies on superimposition and rhythmic editing to explore desire not as narrative but as a primal, almost cosmic energy.
What lingers after viewing is the visceral memory of textures—skin, light, celluloid—merging into a single sensory experience. It's a testament to cinema's power to bypass intellect for pure sensation. — MovieFinder Editorial
Director: Stan Brakhage
Best Watched
In absolute darkness, on a large screen, surrendering to its hypnotic pulse.
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